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A few weeks ago, Netflix confirmed its first MMA event. Ronda Rousey and Gina Carano headline. Francis Ngannou in the co-main. Mike Perry vs Nate Diaz has just been announced. Promoted by MVP — Jake Paul's company. Say what you want about the matchups. The infrastructure around this is real. For years, smaller players tried to build a superfight circuit outside the UFC. It never worked. The names weren't big enough, the platform wasn't there, and the money couldn't compete. What Netflix is doing right now is different. This is the first time a genuine heavyweight platform has entered MMA with the budget and distribution to actually pull it off. And it raises a question nobody wants to answer directly. Is this the beginning of MMA's superfight era — or just an expensive retirement home? Here's the tension. Boxing can produce mega-fights because the belts are independent. A fighter can leave their promoter, chase a title elsewhere, and the fight still makes sense to the public. In MMA, the UFC owns the ecosystem. The biggest active stars — the ones casual fans actually know — are locked in. What Netflix has right now is fighters who either couldn't get a title shot, already had their run, or walked away from the machine. That's not nothing. McGregor (and maybe Jon Jones) was always the exception that proved the rule. He had crossover appeal so massive he could have sold out a stadium on name alone regardless of opponent. We never got to see what that market looked like fully unleashed. Most MMA stars just don't have that gravity. Yet. The real question is whether Netflix can manufacture it. If the money is serious enough, and the stage is big enough, do young stars start doing the math differently? Does free agency become a real conversation in MMA for the first time? I don't know, yet. But the ceiling just moved. And when the ceiling moves, smart people start looking up. One more thing worth saying: this shift isn't just going to produce new promotions. It's going to produce entirely new kinds of fight entertainment concepts. Brands built around the experience, not just the card. Things that don't look like a traditional promotion at all. I'm building something in that space. More on that soon. Best, Adam P.S. Speaking of people shaking up the fight business — my latest video breaks down the Zuffa Boxing situation and what nobody is actually talking about. Watch it HERE P.S.S. If you're a promotion, investor or brand trying to figure out where you fit in a changing landscape — reach out. |
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The UFC announced the White House fight card. Topuria vs. Gaethje headlines. Pereira chasing a third belt. Six fights on the South Lawn on June 14th — Trump's 80th birthday. $60 million budget. 85,000 people expected on screens at the Ellipse. No Jon Jones. No Conor McGregor, yet. The internet decided the UFC underdelivered. I think they missed the point entirely. What actually happened in those negotiations When the $60 million budget leaked, every big name in the sport started doing math....
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Last Saturday, I was watching the UFC main event. Third round. The fight is live. And the screen just goes black. My first thought? My daughter sat on the remote. Nope. It was a full blackout. The UFC — on Paramount+, which paid $7.7 billion for those rights — went dark in the middle of their main event. $7.7 billion. And the stream died. Here's the thing. That's actually the best news you'll hear all week. If the UFC can have technical disasters, so can you. And that's not an excuse. That's...